Painting: What it’s Really Like

There are times when I believe I can paint anything. I’m so full of confidence and bravura that I feel I could paint the most complicated picture and it be good. Only when I get behind the easel and I’m faced with, not only the subject, but my own deficiencies and imperfections as a painter,…

The Seasonal Palette

I know some artists who never change the colours on their palette. They squeeze out a dollop of colour from a tube of every colour they possess and don’t think about varying the colours much from painting to painting. But selecting colour carefully before starting a work can alter your perception and interpretation (and therefore…

The Big Think

I haven’t been very active during the last few months, as you can see from the frequency of these blog posts. I’ve found the lockdown period to be very depressing. Long stretches of time with little to do has been very disheartening for me. But, I hear you say, it’s the perfect time to paint;…

Anatomy of a painting

Because some of the painting workshops I’d planned this Spring had to be cancelled, I decided to do a mixed media painting in stages. I used some sketches of an abandoned croft at Lonbain on the Applecross peninsular, Scotland. I often use sketches like this, reworking them into new pieces – one of the reasons…

Artistic Manoeuvres and Lockdown

It’s been a while since we last posted anything on the blog, but a lot has happened in the months since our last missive. The most important change of course, is the fact that we have moved the studio across Buxton to our new home at The Green Man Gallery, a former hotel in the…